Verdi was an opera composer at his core and his Messa da Requiem exemplifies what happens when theatrical sensibilities meet ...
Seventieth birthdays are big deals. When Leonard Bernstein marked the milestone in 1988, the Boston Symphony threw him a ...
Verdi was an opera composer at his core and his Messa da Requiem exemplifies what happens when theatrical sensibilities meet a sacred text. In some ways, his dramatic style can feel distracting from ...
“[Bleeping] family,” Jeff Goldblum’s Zeus mutters in an early episode of Netflix’s Kaos. He could easily have been referring to the dysfunctional brood at the heart of Wolfgang Amadé Mozart’s ...
There are few great works upon which fame has shone more unwillingly than Edward Elgar’s Violin Concerto in B minor—at least so far as the Boston Symphony Orchestra is concerned. True, this ...
The end of a matter, the writer of Ecclesiastes tells us, is better than its beginning. Though that reality isn’t borne out in every situation, the sentiment largely applies to Beethoven’s nine ...
A sold-out Symphony Hall witnessed a moving performance of Mahler’s Symphony No. 2 in C minor (“Resurrection”) by the Boston Philharmonic Orchestra under the baton of Benjamin Zander Friday night.
Beware of ideas, Joseph Stalin once warned: they are more powerful than guns. “We would not let our enemies have guns,” he went on. “Why should we let them have ideas?” That statement might make a ...
That the Boston Philharmonic Youth Orchestra has made a habit of performing the symphonies of Gustav Mahler shouldn’t blind one to the fact that doing so is completely out of the ordinary: this music ...
Whoever planned the first month of concerts at Symphony Hall this year deserves a pat on the back: rarely, if ever, do four consecutive weeks of programs, and from different artists, hold together so ...
If the two immediate standing ovations on Thursday evening were any indication, sometimes the only response to a performance is “Again!” Such was the case at the Boston Symphony Orchestra’s ...